In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.
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帕姆·格里爾,塞繆爾·杰克遜,羅伯特·福斯特,布里吉特·方達(dá),邁克爾·基頓,羅伯特·德尼羅,邁克爾·鮑文,克里斯·塔克,麗莎蓋伊·漢密爾頓,湯米·利斯特,哈蒂·溫斯頓,希德·黑格,愛米·格拉漢姆,埃利斯·威廉姆斯,唐吉·安布羅斯,提吉雅·克里斯特爾·凱默,黛安娜·烏里韋,勞拉·拉芙蕾絲,昆汀·塔倫蒂諾
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